In the Nineteen Forties, Charlie Parker, Dizzy Gillespie and Thelonious Monk rejected the mainstream popularity and commercial mediocrity of swing. They performed an esoteric music characterized by blazing tempos, advanced harmonics, small teams and solo improvisation. For the most part, these musicians solely sought respect as artists, not as entertainers. They intentionally branded themselves as proponents of bebop, a intentionally inaccessible artwork music, rather than swing. Of course, bebop had its critics, together with Louis Armstrong who hoped to revive the new jazz of the Nineteen Twenties.
Thus, John Coltrane’s “My Favorite Things” and Robert Glasper’s “Afro Blue” are uniquely totally different from their originals and might be from all future performances and recordings. Using improvisation as our criterion for jazz consciousness, we are in a position to connect all of the movements from Dixieland to fashionable jazz and lengthen the lifetime of jazz from the Nineteen Twenties to … Read More