After the baby is born and seeks intimate communication of all motives with a parent, the affective system remains as the director of learning and appreciation of what is gained by new awareness. Like the brain of any animal, the human brain grows to represent and regulate a body form in movement . And from even before birth, the self-formation of a personal self in the brain of the fetus is led by manifestations of movement.
For example, failure to gain a sympathetic appreciation of their musicality can cause an infant to express withdrawal and distress . Instead of joyful pride in sharing play they show sadness and shame . However, an infant’s communicative musicality https://www.wikipedia.org/ can also be expressive of resilience and determination. As Bruner, expressing his psychology of education, put it “the LADD needs a LASS” . Child and adult share rules of imagination for all kinds of movement, including spoken propositions.
“There are certain aspects of the so-called ‘inner life’—physical or mental —which have formal properties similar to those of music—patterns of motion and rest, of tension and release, of agreement and disagreement, preparation, fulfilment, excitation, sudden change, etc. The editor and reviewers’ affiliations are the latest provided on their Loop research profiles and may not reflect their situation at the time of review.
A recording with a blind 5-month-old girl illustrates intermodal attunement between the heard melody of a mother’s song and the proprioceptive feelings in the body of the baby of a gesturing left arm and hand . The human ability to sense the shape of a melody within the body is intrinsic to our enjoyment of music as human communication . Maria and her mother were assisting in a project of Professor Gunilla Preisler in Stockholm to aid communication with blind and deaf infants. Infants have no language to learn what other humans know, or what ancestors knew.
Lévi-Strauss refers to music as a unique system of signs possessing ‘its own peculiar vehicle which does not admit of any general, extramusical use’. Yet he also allows that music has levels of structure analogous to the phonemes and sentences of language. The absence of words as the connecting level is an obvious and pertinent fact in the structuring of meaning within music as a sign system.” (Champagne, 1990, p. 76). Steel and concrete can’t beat good old wood to produce the best sounds for music.
Written during the national lockdown across the UK, the song was inspired by the time the artist had to focus on and tune into the sounds of birds in the city. As the traffic slowed, Ceitidh, like many of us throughout the recent pandemic, had the space and time to notice all the forms of nature https://www.def-con-one.com/ that surround us, and that may have gone unnoticed or listened to previously. A mixture of Classical and non Classical music beautifully played. What I did like was that the sounds of nature are carried through between tracks. Track 12 is purely nature sounds and I would have preferred music.