October 3, 2022

Benefits Of Music & Nature Connection

If like me you like to add an album to your computer and then transfer to a mobile player you may, if possible, lower the volume as this CD is louder than the other Santec albums which is noticeable if you wish to shuffle tracks. Nature relaxation tracks perfect for meditation, relieving stress and anxiety or any production that requires a calming, natural and meditative feel. Psychiatrist and literary scholar Iain McGilchrist in The Master and His Emissary has presented a brilliant review of behavioral and brain research, and a clear conception of complementary consciousness in the two cerebral hemispheres.

Effort to manage the grace and morality of movements can be cultivated to assist well-being of those whose actions are confused or fearful – that is, the making or ‘poetry’ of their movements may be enhanced to provide responsive and relational care or therapy (Hobson, 1985, ch3; Stern, 2000, p. xiv; Osborne, 2009b; Meares, 2016). In the 1960s a major shift in understanding of the creative mental abilities of infants was inspired by a project of the educational psychologist Bruner , and the pediatrician Brazelton , who perceived that infants are gifted with sensibilities for imaginative play and ready to start cultural learning from the first weeks after birth. Supported by insights of Charles Darwin and by new findings of anthropology and animal ethology they studied infant initiatives to perceive and use objects, and they were impressed by the intimate reciprocal imitation that develops between infants and affectionate parents and caregivers who offer playful collaboration with the child’s rhythms and qualities of movement. Film studies showed that young infants make complex shifts of posture and hand gestures that are regulated rhythmically, similar to the same movements of adults (Bruner, 1968; Trevarthen, 1974). We conclude with a Coda – an enquiry into the philosophy of the Scottish Enlightenment, which built on the work of philosophers Heraclitus and Spinoza.

We adopt the word ‘musicking’ to draw attention to the embodied energy that creates music, and which moves us, emotionally and bodily. Further, we argue that music comes from the way in which knowing bodies (Merleau-Ponty, 2012 , p. 431) prospectively explore the environment using habitual ‘patterns of action,’ which we have identified as our innate ‘communicative musicality,’ https://www.def-con-one.com/ observed while infants are in intimate communication with loving caregivers . In short case studies of infant interactions with micro analyses of video and audio recordings, we show communicative musicality in the timings and shapes of intersubjective vocalizations and body movements of adult and child that improvise with delight shared narratives of meaning.

The ability to create meaning with others through wordless structured gestural narratives, that is, our communicative musicality, emerges from before birth and in infancy. From this innate musicality come the various cultural forms of music. The central importance of our abilities for music as part of what sustains our well-being is supported by evidence that communicative musicality strengthens emotions of social resilience to recover from mental stress and illness .

Musical stories do not need words for the creation of rich and inspiring narratives of meaning. A sense of time in the mind is the fabric from which movements of all kinds are woven into ambitious projects that value elegance with efficiency. It is a manifestation of the ‘biochronology’ that is essential to the vitality of all forms of life . In Rhythms of the Brain, György Buzsáki presents a wealth of evidence that the brain functions as a coherent rhythmic system, always in synch., and with a rich array of rhythms that are organized to collaborate. Voice modulations that express emotions of relating in a psychological disorder, and in relational therapy. A pitch plot of a mother suffering from BPD speaking to her infant.

Father and the baby Naseera are equally precise in their timing, which also shows what a phonetician would recognize as a ‘final lengthening’ characteristic of a spoken phrase – when they are ready to stop the dialog the interval lengthens to 0.85 s. Following the shared phrase with its syllable-length durations, they exchange single sounds separated at 4 s https://www.wikipedia.org/ intervals, the normal duration of a short spoken phrase. The recording supports our contention that even a prematurely born baby is skilled in sharing a musical pulse . Most importantly, study of recordings reveal that modulations of timing, of rhythms, and of the flow of vitality forms shared with infants have the characteristics recognized as musical .

The baby shares the development, climax and resolution of the narrative, with vocalizations close to middle C. A slow lullaby, of 26 s, has four-line stanzas, with rhyming vowels. A more animated song of 18 s shows the same poetic organization with undulations of pitch and vowels rhyming between first and second lines and between final words of each verse. From Trevarthen , a portion of Figure 4, p. 137, and Trevarthen , Figure 3, p. 10. Two leading scholars in medical science and the science of child development in the past century, Freud and Piaget , declared that infants must be born without conscious selves conceiving an external world, and unable to adapt their movements to the expressive behavior of other people.